The three stages of the Spooky Man are these.
The cycle of the Spooky Man begins with the exposure of his most inner and outer selves. To the world he bears both his tuneful melancholy and gleeful chirpings. This first stage is often violently extroverted. There are occasionally instances of conflict as the Spooky Men come together, as each strives to be expository first and thus establish themselves within the group. (In extreme cases, Spooky Men have been known to begin their exposition at home before travelling to their performance sites, thus placing both themselves and others at risk - exposition and driving do not mix). Spooky behaviour mellows over time and so inevitably, all Spooky Men move onto the next stage.
After weeks, months or even years of exposition, Spooky Men usually move on to the next stage, the Accusatory Period. In this phase of development, the Spooky Man will typically act out feelings of generally unjustified victimhoodliness. They feel as though their exposition is being ignored, and that they are in danger of becoming homo incorporealis - an empty vessel of man-flesh, trapped between the world of reality and the frightening emptiness of spookidom. They are known to lash out at those around them. Even strangers' pets are not safe at this time.
At their most volatile, the accusatory Spooky Man has been known to sing inappropriately and breach the Spooky Constitution by wearing brightly-coloured undergarments without consideration of those around them.
The catatonic Spooky Man is possibly the most interesting variant. At least they're quiet for a bit. This stage rarely lasts for more than a few performances, before we once again see a return to exposition as the cycle restarts itself at the slightest provocation. The pendulum swings between pointlessness and grandeur as the inner Spooky Man strives to achieve balance between the forces of darkness and not-darkness that lie within.
(For further reading, see: "Where are the simple joys of maidenhood: the Spooky Man at rest and at play" by Grahams (various), 2009 etc.")
A recent example of a rapidly remembered performance can be found below. Our studies continue.